Gallery
                                   

Went to gallery Clark to check out their auction. There were some very lovely pieces there, but if I had $660 to spend I would buy this piece by Catherine Bodmer.



She had a show I went to last year and her pieces were incredible. It's hard to tell in this image, but all the people are the same, just flipped. But the details are amazing. Like the fact that the tree extends across both, as well as the hose. It gives just an eerie surrealist impression.
I like it.



Jodi SharpComment
ELAN Seminar day
This afternoon I went to a seminar put on by ELAN, quebec's english speaking artist network.

It was a very well done seminar, with a panel discussion by artists Nadia Myre and Max Wyse.



         The panel discussion was a "how to" on being a montreal artist. A fair amount of the stuff I already knew, but it was nice to hear other artists discuss their practice and reiterate some good points. 
         The beginning of the discussion revolved around Myre's and Wyse's personal practices, how they had gotten to where they were and what venues they'd used. Max Wyse made sure to state that his focus was always the work. He said that starting with your own compulsion to make work is where every artist should begin. The pleasure and obsession to make = a professional practice. After the work comes an integration within the community. Making a connection with other artists and being involved with their dialogue as well as yours is the best way to open doors into a full time professional practice.
        Nadia Myre added that the obsession with your work is a good place to start, but you needed to make sure that you were producing a good product as well. She felt that making work that you can stand behind and ensuring that you behave according to a business model was essential to any practice. She also stated that every artist needs other people to champion their work. Finding other artists, curators and collectors who really believe in what you're doing and want to talk about it and share it with others is one of the only ways that you can get the necessary connections to continue making your work.  
         Both Max Wyse and Nadia Myre clearly stated that having really good visual documentation of your work was completely essential to surviving as an artist. Although slides never reveal the true nature of your work, they are the best possible way of relaying a lot of visual information really quickly to prospective curators and collectors.  They both emphasized the need to take the time and make sure your archiving is done extremely well.
         The talk then shifted to a discussion about finding galleries, both comercial and non, to support you. Wyse spoke again about how important it was to be involved within your peer groups in order to get those connections you need. By having a good sense of what your peers are doing you can find other artists who share the same style of work. He stated that galleries are way more likely to accept you if you are introduced to them by other artists they already represent. Normally you won't find a lot of connections just by cold-turkey sending out your dossier to galleries. He emphasized that what is important is building relationships, because you never know where those connections will lead to. He did also make sure to restate that, first and foremost, is having a strong body of work that you can show when necessary. 
         Nadia Myre said that being visible within your own milieu is almost more important than your own practice. She once again stated the need to connect and market yourself appropriately. She said that the only real essentials for any artist were tenacity and courage. 
        The moderator then interjected at this point with a little bit of advice he used during his last teaching postion. He told his students to stop questioning the validity of their work. He said that your work is your work, just assume that it's great and stop asking if it's valid. The essential question to ask is not "is my work good?" but, "who is my audience?" There are people out there who are already into exactly what you're making. They are just waiting for it to be put in front of their eyes so that they can love it. The key is finding those people and marketing in places that already have the same vibe and feel that your own work has. 
         I found this panel to be very well stated, and although there was nothing super new that was talked about, it was still good to hear. Being reminded to focus on community connections and proper markets for your work is something that can not be stated enough. As well, making sure that you have a solid body of work, a good product and proper documentation is the most important thing to making sure that you can progress further in your career. And although there will never be a formula for becoming a successful professional artist, making sure you are doing all of these things can never hurt.





Jodi Sharp Comment
Artist of the week
The artist for this week is Judith Schaechter, a woman I saw and fell in LOVE with at the Renwick Gallery in Washington, D.C. this spring. 

She makes freakishly beautiful stained glass works that she then lights from behind. It's hard to tell from her images, but she draws into the pieces of glass through etching, and then she layers them so the work is almost 3-D. 


I love her choice of imagery, she deals with a lot of mythology, and the technical aspect of them is just mind blowing.



If you EVER get a chance to see these in person, do. The slides don't even do them an ounce of justice.



Jodi SharpComment
Wearables
Since I've been working so much with wearables lately, I thought I'd post some of my inspirations. A wearable art piece is generally defined as a piece of art that deals with or is shown on the body, but it differs from fashion in that the art piece generally has a dialogue it is trying to speak to, and it tends not be be functional. 
I few artists whose pieces put ideas into my head and give me something to aspire to:

Kimiko Yoshida

She always works with her own image, over and over again. Changing the idea of herself by putting on something different.


Matthew Barney

Actually a video artist, but the creature costumes he comes up with and the scenes he puts them in are absolutely wonderful.


Collin Tonsend Velkoff

Actually a designer by trade, he recently put out a series of costumes called Social Animals which are super interesting to me. Again, keeping to the organic textures which I'm so drawn to.

And finally,

Joana Vasconcelos

Her art isn't really wearable, seeing as she crochets directly onto an object, but super beautiful. I love how the crochet gives it an all over look and accentuates the shape.  



Jodi SharpComment
I am animal
Jodi Sharp
2011
Performance, video, paper sculpture

Basing off of my original studies for I am animal, I redid the performance in the form of video.  

I am animal, was undertaken as a continuation on the theme of dissolving the stereotypical human form. In this piece the artist wove  and sewed paper onto her body to make a cocoon that would allow her to transform. 

Throughout the nine and a half hour performance the artist focuses on the breaking down of self, the changing of her identity into something that is more nature based and merging into the environment. The intention was to achieve a deeper personal connection with the world around her through the loss of her own visual identity.  

The time reduced video of this performance was then projected onto the relic of the cocoon that the artist finally cuts off of her body, having, eventually, to return to the world of her own form.












Jodi SharpComment
Seeking to Worship in the Wilderness Install
Jodi Sharp
2011
Photography
 Desiring to change an artistic imprint from temporary to slightly more permanent, the artist prints photographs of an artistic performance and adheres them around the city in the spaces where they occurred.

The intention is for people to see the images of what has happened in the space's history and maybe question a slightly different reality than the one they can currently see.

For performance project, go here


Jodi Sharp Comment
Things to do for people you love.
Have you ever wanted to pop out of a cake for someone's birthday as the ultimate surprise? Well I'm here to tell you- YOU CAN! 
With only a little bit of cardboard, duck tape and lame decorations you can be a cake too.


Start by making two sized rolls, one larger and one smaller. These will be the layers of your cake.


Cut out a flat piece of cardboard that is the shape of the large roll. Then trace the small roll in the middle  and cut out a hole.


Score the edges of the hole and then fold inward. Stick to rolls with duck tape.





Decorate you cake form with ugly decorations. 



Jump out of cake and eat cake! Yay.


Jodi SharpComment
Rainy Days


Sitting outside on my porch this morning reading a new book of poetry my partner bought for me at the montreal zine fair, called ArcPoetryMagazine.


The rain is beautiful and I wanted to share this lovely little poem from the book-


Old Men, Smoking
Sandra Kasturi

You can see them standing singly or in clusters on street corners
Or sitting, calm a toads, in quaint but seedy coffee bars

These old men who smoke and don't speak English. 
They stare into the distance, seeing the drowning

Of the Titanic, the Lusitania, some obscure Estonian ferry,
Experiencing the wash of history. It leaves them clean,

Weathered, their eyes turned that strangest of blues by the sea,
The wind, the turning of years. These old men who smoke

And don't speak English- they know all the secrets of the universe,
Revealed to them in each glowing ember that flies away

From their mouths into the world. These old men- descendants
Of Prometheus, who, having stolen fire, passed it down through the ages 

To old men who never grow older or die. They are immune
To cancer, to weather, to the voices of women. They simply smoke,

Cast embers into the air, into history, mutter in foreign tongues
No matter what country they are in. These men with their gnarled

Gardeners' hands that never really smile, never really see you,
But you know them, know them from past incarnations,

From memory, from myth. Maybe they do smile, inwardly, secretly,
At our mad scurryings and busy bodies. Such guileless crocodiles!-

Sitting, steadying the tilting world; smoking, obscuring the truths
We cannot bear to know; humming in the voices of God.






Jodi SharpComment
Seeking to Worship in the Wilderness
Jodi Sharp
2011
Performance
Seeking to Worship in the Wilderness was a day-long performance done within the confines of Montreal city. 

Working from the distopic reality of human separated from nature, the artist walks with a skeletal remnant of a naturalistic form. Through a nine hour performance, the artist walks and walks, stopping to try and perform ritualistic acts in the streets and alleys of Montreal. Desperately trying to reclaim city space and make it into an expanse where nature could still be regarded and even worshiped, the artist essentially fails, but is successful only in the temporary imprint of a different sort of image within the city limits.

Jodi SharpComment
Gallery morning

Went to this exhibition this morning, trying to find that extra hump of inspiration to keep working the hours I've been working. Unfortunately the six shows I saw today were so lovely that it made me feel a little bit overwhelmed. Creating show ready work is just so much... work! The exhibition by Maskull Lasserre was by far my favorite.

Jodi SharpComment
Vernissage

Woke up this morning to the very first snow of the season! It's so beautiful and everything feels so calm and quiet. 

The vernissage for "Am I still in the power of the demon? (Did my preserver never come?)" was held last night to a great success! Wonderful turn out and two newspaper interviews, we were all very pleased. 





The show was a collection of fibres-based works that explore the elements of nature, personal archive, history and reinvention, while highlighting each artist's desire to preserve and protect.

We move through our lives collecting information and experiences, storing them (tangible or not) to use as guides for what is yet to come. We gather those that have been precious to us and bring them to the present in an attempt to conserve them. Through this process however, strange things can occur; our memories become mottled and distorted, taking on fantastical forms- our attempt to preserve our histories seem to inherently modify them. This show asks the question- is preserving our histories useful? Will we learn from it? O will it just bind us to the demons of our pasts?


Jodi SharpComment
Portraits of the Artist Dissolving
Jodi Sharp
2010
120 mm film
Portraits of the Artist Dissolving is a project dealing with identity, and the loss of it into the surrounding world. It deals with the intrinsic connection the artist feels with nature and other humans, as well as the lack of boundaries that exist between herself and the physical world. 

In it, she seeks to create a physical manifestation that represents that lack of division, using the symbology of merging human, object, animal and plant materials to create new objects, creatures and environments. With this format she creates a spectrum of imagery, for no one thing can represent a being, but a gathering of objects can show many aspects of one whole. In this a utopic vision of a world is created, where everything can belong. 



Jodi SharpComment
Show install

Show install today for "Am I still in the power of the demon? (Did my preserver never come?)" The show is going to look LOVELY, and after eleven and a half hours of install I should hope so!




http://www.vavgallery.com/events/am-i-still-power-demons-vernissage/

Jodi SharpComment
Love Not the World
Jodi Sharp
2011
5' x 4' 6"
Wood, Acrylic
Love Not the World is a project based around how we as human beings view nature and how we respond to it. It contrasts the literalist Christian command for how we should react to the world, with the intuitive reply of the environmentalist.

The biblical verse 1 John 2: 15-17 states, "Do not love the world or anything in the world. If anyone loves the world, love for the Father is not in them. For everything in the world—the lust of the flesh, the lust of the eyes, and the pride of life—comes not from the Father but from the world. The world and its desires pass away, but whoever does the will of God lives forever." If we interpret this literally we find that a dichotomy is said to exist between humans and nature, and as humans we should not love what we find in this world.

On the other side of the coin is the belief that humans are not separate from our environment, and indeed are so intwined with it that there is no real distinction. By obsessively and meticulously documenting the beauty of the world, and combining it with the ultimate human symbol- the hand, the artist is making a statement that, in order to save what we have left of nature, we need to find a passionate and loving connection with it. 
 Scheduled to be shown 2011 November
Am I still in the power of the demon? (Has my preserver never come?) 
VAV Gallery, Montreal, Quebec.



Jodi Sharp Comment
Studio day- Skeletons and prints

The beautiful light in the studio this morning. Looking out on wonderful Montreal, which is still sitting at 10 degrees celsius! Winter han't hit yet, and I am SO happy.

I was working on a series of print based off of animal skeletons that I'm going to try to sew into an outfit. It's been a 13 hour day already, and I'm getting on tired, but I'm sure once my prints come out of the steamer I will feel happy. 
http://interestingxrays.wordpress.com/tag/animal-x-rays/

Some of the beautiful images I found online today as inspiration for what I was working on...

http://www.sciencephoto.com/media/158054/enlarge
And after a very long day, I got four meters of direct application prints I'm fairly happy with. Now to sew in under layers and turn it into a wearable!

Jodi SharpComment