Just love a Woman

If You Want to Change the World, Love a Woman (2008)

When a fairly spiritual male friend of mine who had finally found and was deepening into committed relationship with his soul mate confided in me he was thinking of being single again, and in the next breath expressed his latest idea for raising consciousness worldwide, I wrote this poem.

If you want to change the world… love a woman-really love her. Find the one who calls to your soul, who doesn’t make sense. Throw away your check list and put your ear to her heart and listen. Hear the names, the prayers, the songs of every living thing-every winged one, every furry and scaled one, every underground and underwater one, every green and flowering one,every not yet born and dying one…
Hear their melancholy praises back to the One who gave them life. If you haven’t heard your own name yet, you haven’t listened long enough. If your eyes aren’t filled with tears, if you aren’t bowing at her feet, you haven’t ever grieved having almost lost her. If you want to change the world… love a woman-one woman beyond yourself, beyond desire and reason, beyond your male preferences for youth, beauty and variety and all your superficial concepts of freedom.

We have given ourselves so many choices we have forgotten that true liberation comes from standing in the middle of the soul’s fire and burning through our resistance to Love.
There is only one Goddess. Look into Her eyes and see-really see if she is the one to bring the axe to your head.
If not, walk away. Right now. Don’t waste time “trying.”
Know that your decision has nothing to do with her because ultimately it’s not with who, but when we choose to surrender.

If you want to change the world… love a woman. Love her for life-beyond your fear of death, beyond your fear of being manipulated by the Mother inside your head. Don’t tell her you’re willing to die for her. Say you’re willing to LIVE with her, plant trees with her and watch them grow. Be her hero by telling her how beautiful she is in her vulnerable majesty,
by helping her to remember every day that she IS Goddess
through your adoration and devotion.

If you want to change the world… love a woman in all her faces, through all her seasons and she will heal you of your schizophrenia-your double-mindedness and half-heartedness which keeps your Spirit and body separate-
which keeps you alone and always looking outside your Self
for something to make your life worth living. There will always be another woman. Soon the new shiny one will become the old dull one and you’ll grow restless again, trading in women like cars, trading in the Goddess for the latest object of your desire. Man doesn’t need any more choices. What man needs is Woman, the Way of the Feminine, of Patience and Compassion, non-seeking, non-doing, of breathing in one place and sinking deep intertwining roots strong enough to hold the Earth together
while she shakes off the cement and steel from her skin.

If you want to change the world… love a woman, just one woman. Love and protect her as if she is the last holy vessel.
Love her through her fear of abandonment which she has been holding for all of humanity. No, the wound is not hers to heal alone. No, she is not weak in her codependence.

If you want to change the world… love a woman
all the way through until she believes you, until her instincts, her visions, her voice, her art, her passion, her wildness have returned to her-until she is a force of love more powerful
than all the political media demons who seek to devalue and destroy her.

If you want to change the world, lay down your causes, your guns and protest signs. Lay down your inner war, your righteous anger and love a woman…beyond all of your striving for greatness, beyond your tenacious quest for enlightenment. The holy grail stands before you if you would only take her in your arms and let go of searching for something beyond this intimacy.

What if peace is a dream which can only be re-membered
through the heart of Woman? What if a man’s love for Woman, the Way of the Feminine is the key to opening Her heart?

If you want to change the world…love a woman
to the depths of your shadow, to the highest reaches of your Being, back to the Garden where you first met her,
to the gateway of the rainbow realm where you walk through together as Light as One, to the point of no return, to the ends and the beginning of a new Earth.

~ Lisa Citore


"This series was made to tackle the supposed norms of what we think our bodies are supposed to look like. Most of us realize that the media displays only the prettiest photos of people, yet we compare ourselves to those images. We never get to see those photos juxtaposed against a picture of that same person looking unflattering. That contrast would help a lot of body image issues we as a culture have.

Imagery in the media is an illusion built upon lighting, angles & photoshop. People can look extremely attractive under the right circumstances & two seconds later transform into something completely different.

Within the series I tried to get a range of body types, ethnicities & genders to show how everyone is a different shape & size; there is no “normal”. Each photo was taken with the same lighting & the same angle.

Celebrate your shapes, sizes & the odd contortions your body can get itself into. The human body is a weird & beautiful thing."

"Illusions of the body"



Jodi SharpComment
Figuring Out Oneself
As I am back in academia, coming from the reality and immediacy of asia, I have to think and re-think who I am, what is my mission, purpose and direction. I feel changed and out of the loop, searching for what I am doing again.

As recommended by a friend- enter Paul Thek's teaching notes, questions he used to give out to his graduate seminar class at the Cooper Union School of Arts in New York. As my friend stated, after answering these, "You have nothing to hide anymore, you're just in front of your own mythology."

I particularly love the last lines of this text:

"These marks won’t make much difference in your later life, but my reaction to you will, but the reactions of your classmates to what you do will.
Your classmates are your world, your future will be like this now, as you related to your present, you will relate to your future, recognize your weakness and do something about it."
Paul Thek’s "teaching notes":

Name
Age
Birthdate
Place of birth
Position in family
Nationality
Religion 
Education
Hobbies 
Career plans
Parents’ education
Parents’ birthplace
Parents’ religion
Where do you live now? With whom? For how long?
What income do you have? From what source?
What property do you own?
What are your requirements in a friend? Lover? Mate?
What kind of art do you like? Painting? Sculpture? Music?
What do you read? How often?
Do you buy books? Records?
What is your favorite color?
What are your politics?
Have you ever been seriously ill? Serious accidents?
What do you do on a date?
What is the purpose of dating?
Do you believe in premarital sex?
What happens after death?
Tell us about other members of your family.
Tell us about a close friend.
Tell us about someone who inspires you.
Tell us about the most exciting thing you ever saw, did.
How many rooms are there in your home?
How many floors? What floor do you live on?
Do you have your own room? Do you share it? With whom?
What does your room look like?
On what do you sleep? In what? In what position?
Do you take baths or showers? Do you use perfumes or deodorants?
What style or look do you prefer?
Are you interested in sports? Which? How often?
Do you believe in abortion? Do your parents?
What is your worst physical feature? Your best?
What is the main source of difficulty between you and your parents? Teachers? Friends?
What annoys you the most in others?
What kind of teacher do you prefer?
If you were a teacher what would you propose?
How would you grade your students?
What is eternity? What is love? What is art?
What is a symbol? What is religion? What is psychology?
Who are your role models?
Who is the person closest to you at the moment?
Who is the person physically closest to you at the moment?
What in your life is your greatest source of pleasure?
How do you know you love someone?
How do you know that someone is interested in you?
How do you know that you are happy, sad, nervous, bored?
What does this school need? This room? You? This city? This country?
What is abstraction?
What is a mystery religion?
What would it be like if you behaved with absolute power?
Redesign a rainbow.
Make a French-curve rainbow.
Design a labyrinth dedicated to Freud, using his photo and his writings.
Design a Torah.
Design a monstrance.
Illustrate the Godhead.
Add a station of the cross.
Design an abstract monument to Uncle Tom.
What is a good temple? A bad temple?
Who is your favorite character in the Bible?
Who is your favorite character in Gone With the Wind?
Why does an icon have to be human?
What is sacred? Profane?
What is the most beautiful thing in the world?
Make a paperdoll of yourself.
What is theology? What is secular?
Explain the Zen doctrine in your own words. What does it mean?
What does it mean “In the beginning was the Word”?
Can you find a book on making sculptures of paper?
Make a spaceship out of a cereal box.
Make a paper chain out of a book.
Redesign the human genitals so that they may be more equitable.
Design a feminist crucifixion scene.
Design something to sell on the street corner.
Design something to sell to the government.
Design something to put on an altar.
Design something to put over a child’s bed.
Design something to put over your bed when you make love.
Make a monkey out of clay.
Design a flying saucer as if it were The Ark.
Make a large folded-paper airplane, paint on it a slogan which you think will revolutionize your life.
Make an icon out of popcorn.
Pain a balloon gold, paint a balloon silver.
Make a necklace out of coal.
Paint a series of playing balls like planets, be accurate.
Design a black mass out of any materials you can find.
Design a work of art that fits in a matchbox, a shoebox. 
Design a new clock face.
What is the difference between philosophy and theology?
Who is Hans Kung?
What is liberation theology?
What is mysticism?
Who was Meister Eckhart?
What is the purpose of art?
What does ‘spiritual’ mean to you?
What is the most difficult thing in life for you?
Can art be helpful in dealing with this difficulty? In what way?
What is ‘service’?
What is the purpose of society? Of government?
What is the surest way to happiness?
Who is Savanarola? Augustine?
What is attractive in a woman? A man?
What are the qualities of physique most attractive?
What are the personality problems of being an artist?
What is it like to be an American in the 20th century?
Who is Roosevelt?
What is action painting?
Pop art?
The Louvre?
What languages do you speak? Spoken at home?
What religious articles do you have in your home?
Make a skyscraper out of inappropriate materials.
Make a prisoner’s pillbox hat.
Make scatological object, or use scatological words.
Illustrate your strangeness, act out your most frightening perversity.
Design a box within a box to illustrate selfishness.
Design a throne. 
Why are you here?
What is a shaman?
Make a piece of curative art.
Make a piece of psychological art.
What do you think has been the greatest hurt, mental and physical, that you have suffered?
What do you think are the qualities of a life fully lived?
Can you suggest a project, for yourself or for a group, or for any number, which might deepen your sensitivity to time?
What is greed?
What is verbal knowledge?
What does tactile mean? Can you show me an example of tactile sensitivity in your personal life?
What do you do to make yourself more attractive sexually? Why do you do this?
Do you really like very beautiful people? Do they really have special privileges?
What is polygamy? Explain its function in the society?
Make a design of your favorite literary person. Event. History. Project for Ellis Island.
How much time should you work on a class project? How much time should you think about it? Discuss it?
What do you think of money? Make a structure to me explaining your concept of money, or out of money.
Should art be useful? Useless?
What is pablum?
What is capitalism? Communism? Socialism?
What is leisure?
Make a structure out of photos of primitive people.
Make a structure illustrating anything from the book of proverbs.
Can you construct a functioning lamp that illustrates the concept of freedom?
Can you construct a functioning ashtray that illustrates the passage of time?
What is waste? 
Who was Malthus?
How can we humanize the city?
How can we humanize Cooper? How can we redesign the Cooper triangle?
What should the student lounge look like? Where?

Remember, I’m going to mark you, it’s my great pleasure to reward real effort, it’s my great pleasure to punish stupidity, laziness and insincerity.

These marks won’t make much difference in your later life, but my reaction to you will, but the reactions of your classmates to what you do will.

Your classmates are your world, your future will be like this now, as you related to your present, you will relate to your future, recognize your weakness and do something about it.
Photos by Ilya Kisaradov

Jodi SharpComment
Beauty
Rebirth of Value: Meditations on Beauty, Ecology, Religion and Education. 
Chapter 1 On Beauty
Frederick Turner
State University of New York Press, 1991

"The special evolutionary truth is that our capacity to perceive and create beauty is a characteristic of an animal that evolved. Beauty is thus in some way a biological adaptation and a physiological reality: the experience of beauty can be connected to the activity of actual neurotransmitters in the brain, endorphins and enkephalins."
(Pg 5)

In this book Turner begins the discussion of beauty. "Beauty" and aesthetics, has long been a source of debate in the artistic community.  In the modernist era, aestheticism became a dirty word, and even today it is not seen as valuable to make "beautiful" art. There is a belief that beauty is not only subjective, but also trite. What is beautiful becomes the last thing that "high" art cares about, and in this book Turner begins to question why.

Turner opens this discussion by saying that if art and science were more connected, we could not help but see beauty as natural and beneficial, and a key part of the artistic process. 

He points out that "beauty", while we discuss it as a completely subjective, actually has more objectivity to it then we tend to mention. He discusses things such as the color wheel, and the color combination preferences that tend to be associated with it, or the visual detail-frequency preference system, which makes humans prefer pictures and scenes with a balanced hierarchy of dense textures and small details to large details and composition. Things such as this, or preferences for certain musical tonalities, or certain types of story narrative, are scientifically catalogued as having a evolutionarily preference by humans. Although there is a lot of variation in this information, it does indicate that the forms of art are not arbitrary. Because these ideas of beauty are innate, that means that if we pay attention to them as artists, we have the capacity to broaden and deepen our artistic communication.
He goes on to state that if beauty was only an adaptive sense, then only certain members of our species would have a tendency towards it. But as all beings have a sense of beauty, therefore it must be something that benefits our whole species. In this case beauty must be a real characteristic of the universe. He backs this up by stating that there are certain movements in the sciences that indicate that the universe does have a deep theme or tendency. 

Beauty, according to Turner, is the highest integrative level of understanding. It allows us to go with the greater tendency of the universe, to be able to model what will happen and adapt to or change it. According to him, the overarching structures of the universe are as follows. Firstly, that there is a unity in multiplicity. Everything that exists in turn makes up a greater whole. Two, that there is complexity with in simplicity. Everything around us is very complicated, and yet is governed by very simple, basic laws. Thirdly, creativeness and generativeness: Each new moment is new and has genuine novelty. Fourth, Rhythm. We are all made up of vibrations, from the chair you are sitting on to the cookie you eat. Fifth: Self-similarity. Fractals! Smaller parts of the universe resemble bigger parts of the universe in shape and structure. 

All of these processes create patterns with familiar characteristics, and he argues that because of this, there is a deep theme or tendency of all nature, which in turn shows that beauty is an underlying form of the universe. Our own evolution is an example of the principle of the patterns which are universally created, and because of this we are programmed to connect with things that are inherently beautiful and continue them as art.

Regardless of wether I believe Turner's arguments or not, I could probably stand just looking at and making beautiful things forever...

Jodi Sharp Comment
Short Story Day

Marshmallow

Jodi Sharp
December 2013


These are things I see in us; When you are inside me, you are the forest, giving birth to everything. You move with the grace of dragons. You disappear through the trees. You, the strongest thing in sight. You will not let me call it sex. You make me say "making love." You are right.

~

The panda bears were my favourite. Even though there were so many things, so many wonderful things I could never have imagined. Somewhere, there was a wonderful place where men and women thought up every imaginable kind of candy: small ice cream cones that  could be filled with whip cream-like candy, gummies in the shape of sandwich fixings that  could be stacked to make full lunches, sticks that had been dipped in chocolate, flat things that unrolled into pictures, plastic shapes of fruit filled with flavoured sugar, candy that could be assembled to make toys before biting them in two. Every shape, thought and feeling existed on the shelf before me.  I stood wide eyed, feeling everything that the candy could offer me. Still the panda bears were my favourite.
I loved the little bears, their soft shapes and happy faces looking up at me from the shelf like lost dogs that just found their owner. They weren't just something to eat, they were also my friends. Each tiny pastry-like shape had a different picture of a cute little bear.  The bears were so active and happy playing tennis, being a ninja, shopping for groceries, or going swimming. I would sit them down and we would all play, until that horrible moment when I would finally come to terms with the fact that I had to bite off their heads to get at the creamy, chocolaty goodness inside. I was teaching myself to be tougher.
I sat there in the store, a box of candies in my hands, my eyes fixed on my potential new friends. I imagined the lives we could live together and all of the fun we would have. I pictured them on the carpet in my room with the sun streaming in through the big windows. I would tell them all of the things I needed to tell them. We would be so close. So close to being able to make each other happy.
I could hear my mother doing that whistle she always did when she wanted to find us in the store. My parents always joked how easy it was to find each other in Japanese stores, my abnormally tall father towering above the tiny shelves. They told me this was true, but I could not not see it. I was too little.
I heard the whistle.  I knew that I should go. But my friends! I knew they would not be coming home with me; we rarely had money for such things. The longing and loss I felt was unbearable to a five year old child.  I felt physically nauseous at the idea that some other child would rip off their tiny heads before giving them each a name and a good life and letting them know they were loved. I heard my mother whistle again, set the box back down on the shelf, and left.

~
A child in a country where no friends existed, I often played alone. I liked it, and the alternatives were much worse. First, there was my sister. I'm fairly certain that at this age my sister hated me, as older sisters often did, and playing with her was like willingly offering myself up to a torture chamber just for fun. Our games when something like this:

Game 1) I sit at the bottom of the stairs, my sister at the top. She ties a paper fish onto the end of a string, saying that we are going to play fishing. She dangles the fish above my head, watching me jump and jump for it, laughing hysterically as I am never able to catch it. The game goes on until I am exhausted and don't want to play anymore.
Game 2) We play store, my sister sitting behind the cardboard box as the shopkeeper. Behind her are all manner of my sister's wonderful things, things that she will never let me touch. I desperately want to touch them. She tells me that if I trade in enough of my toys to the store, I might be able to buy one of her things. All of my toys come out, and I hand them over one by one, waiting for the moment when she says I have paid enough. It is never enough. I never get to touch her things. I do not have any more toys.
Game 3) My sister repeatedly pulls down my skirt in front of other people. She thinks this is the funnest game. I seriously consider starting to wear pants.

The alternative to my sister the playmate, are the other small children on the street. We met because they kept "accidentally" kicking their soccer ball into the yard, all of them running to come get it, standing behind each other as they open-mouth gawk at the white blond child in the back yard. Every time I would give the ball back, there it would come again, flying into the yard, disrupting our garden. My mother decided that it was important that I be affected by some of the "local color", and sent me down the hill to infiltrate the resident houses.
We couldn't actually say anything to each other. I felt uncomfortable and a little scared, like an animal at the zoo, being started at by an onslaught of faces. Every time I would attempt to be polite, as I knew I should be, they would all turn and look at me again. I fell silent.
Their houses though, their houses were like nothing I had even seen. Filled with things to the point of bursting, objects of wonder and magic that I could never have comprehended. Small scary statues and beautiful wall hangings, things in glass cases, and small lit sticks that gave off a funny smell.
I remember vividly a giant egg inside of a glass case. I can see it, in it's full glory. It was painted in such intricate detail that I could've stared at it for hours. Flowers and gold lines, green patterns like scales. A egg that could give birth to the divine. The thing made me feel more alive than I had ever felt, I needed to be around it, I wanted hopelessly to hold it in my arms. I knew that if I could touch it, it would be warm. It would make me feel safe. One of the children signalled to me that I wasn't allowed that near to the case. I reluctantly left the room.
I ran home to tell my mother all about the wonderful things I had seen. I am excited, I am impassioned, I feel relief for the first time since we've been here. My mother sits me down to explain what all those things were. I learn the word "shrine". I learn that these are things we should not have. I learn that all of those things are there for gods who need things in order to be happy. Not like our God. Our God is better. Our God doesn't like those gods, and that is exactly why we are here in Japan. To teach those people that our God is better. She tells me that because of this, all of those things are bad. Those things are bad and I should not play with them. She tells me this is true. She tells me, but I do not feel it. I guess I'm still too little.

~
 
I woke up this morning wrapped tightly in your arms again. It's like during the course of the night our bodies have absolved all of our differences and just decided to be together, needing each other while our brains slept.
I am groggy when I wake. Dreams, disjointed, partial. Images of trees and flowers, scary faces and painted eggs. Feelings of loss and separation accompany me, as if my dreams know something I don't. I try to haze out of them, to come back to my body. My centre, my feet, my fingertips, my nose. Each part waking in turn until the grogginess recedes. Physically trying to remember who I am out of dreamland. Unless this is just another dream.
It all returns, bit by bit. Those words you said to me, over the course of hours, days. Little by little they trickle in and surround me again, and I wish more fervently that I could go back to my dreams. As bad as they were, this daylight is worse.
I sit with you then. Quietly. I can't bare to leave this space yet. Everything is okay right now, you hold me close. The silence is wonderful, and I breathe it in. You shift a little in your sleep, snuggle me harder. I almost cry. The world is so easy right now. Our bodies know what our brains don't; how easy it is to be together, how simple it is to be in love.
The light coming in from the skylight looks like the eye of a dragon. Watching us, an impartial god. A better god. I want to wake you up, so you will see what I see, but I don't. Today it will be too difficult to get you to see what I see.

~

I remember this parade once, that went by our house. I was out, running around by myself, our neighbourhood was safe enough for that. I hear these sounds, strange, disjointed, beautiful. I sneak around the corner and press myself against the wall. I see them then. They are so bright, so colourful, so happy. Everything is gold, and there are so many of them. Dancing, beating drums, the spectacle of it all.
In the middle there is something being carried on the shoulders of brilliantly dressed men.  Like a tiny house, my size, covered in gold shingles. It is so mesmerizing I cannot breathe. Every piece of it shimmers, it is more alive than any person I have ever seen. A house for a god. I know this now. The procession is buoyant, ecstatic. I feel paper thin, like I do not exist, like I will blow away. They know truth. I do not.
I do not move, a piece of the wall, until they have all passed. Their absence makes my heart ache. I run home. I don't not tell my mother.

~

These are the things I see when I look at you (when you are happy with me.)

1) You are the most beautiful creature I've ever seen. When you relax you open like a flower and I can feel all the intricacies of you. I run my fingers along the edges of your petals, seeing how you see the world. You are an alien plant I want to feel the essence of, hoping you don't close too soon.
2) How can I love you this much? I can never answer this question. All of the blood vessels in my body feel full to bursting, I am overwhelmed with the sight of you, scent of you, feel of you. You shine through me like a star.
3) Everything in the world is going to be okay.


These are the things I see when I look at you (when you are angry with me.)

1) Where am I in your eyes? Normally I am so present in them, I can see myself reflected like a mirror on glass. But when you are mad they are like cold steel that has been grated. Dull, and unseeing.
2) You are still the most beautiful creature I have ever seen. When you are not relaxed I feel your power directed at me instead of with me. A cold tiger ready to swipe at any given moment. I want to run. I will myself to sit still.
3) How did we get here? I can never answer this question.

~
There were always things that I could see that others couldn't. When I was young I would indiscriminately tell people about them, before I learned that that was bad. Why are those shadows moving? There's a lion looking at me through the paper walls. Someone talks to me when I fall asleep. This was before I learned that "it was all in my head," and that I had "an active imagination."
I remember one day I was walking down the hallway of our house. I saw a black cat walking towards me. I was confused. My mother was a allergic to cats, one shouldn't be allowed in the house. The ever dutiful child, I walk towards it. It must have gotten in by itself, I need to shoo it out. I call to it. It stops and looks at me. I take one more step towards it, and then, it is gone. Not gone like ran away gone. Just, gone. Thinking I must've blinked I searched for the cat. It was nowhere.
Still the good daughter, I go to tell my mother about the cat. She listens patiently, a concerned look that an animal had gotten in the house. Until I tell her that it disappeared. "Oh, you were imagining a cat. Next time you are telling me a story like this, you need to tell me the difference between what is real and what is in your head." Confusion. It was real. There was a real cat. It just happened to be a cat that could disappear. I would not budge. I had seen a cat. It was there. I called to it. It looked at me. It wasn't a story. My mother calls my father.

For my entire childhood, the wrath of my father was the most terrifying thing in my small universe. Even into my adulthood just the idea of my father getting angry could make me start to cry and feel a strong desire to hide. I vividly remember the situation; we were sitting on my bed in my sister's room. My mother looks sad, my father looks angry. They are questioning me about the cat. They want me to say it was in my imagination. I am terrified, but I do not budge. I have been taught that lying is a sin. I cannot understand why they want me to lie. The cat was real, it was there.
I still remember the pain, but more than that, the shame. I did what was right. I told my mother what I saw, I did not lie. But they did not see what I saw. Their eyes were never enough. I just needed to learn to be tougher.
Years later my mother told me that she believed me. She thought that I was seeing demons, and though she could not see them, she believed that I could. I will never know what is truth.

~

"I want you to listen to me," you said. "I am listening," I said. I'm listening to the way your body moves when it's angry with me. I'm listening to the knowledge that when I make a wrong move, anger happens. I am listening to the fact that if I fuck up, I will be punished for days. Cunt, dick, cow, fuck off. I listen. I listen to all of these things. How am I supposed to understand which words actually matter?
"Listen to my intent, not my angry words" you say. You think this is supposed to be comforting. You talk for hours. You say the same things over and over. I understood the first time. You say it again. I fucked up. I wasn't supposed to act like that.
Your body is angry with me. Your words are harsh. I understand that I have done wrong. I understand that I was supposed to do something different. Now, I understand. I wasn't being who you wanted me to be. You wanted me to be someone different.

I listen. I listen to all of these things. I listen and listen and listen.
There is no space for me to speak.

~
Ever the educators, my parents tried to expose us to as many other religious spaces as possible. So we could know what was wrong. So we could spot it from far off and turn the other way.
I remember this temple. It was Buddhist. It was beautiful. It was terrifying.  It is so solid in my mind I can still touch it.
The Buddhists believed that the spirit of Buddha had been put into a deer. Because of this there was a law against killing them, and even though Buddha only lived in one, that meant there were thousands and thousands. You could buy these cakes out of little turnstile machines, and if you held your palm out flat, you would be surrounded by the creatures, begging for food. I would hold my hand out again and again, careful to look each animal in the eye, searching for Buddha. Even then, all I wanted was to see God. 
Just outside of the temple were the terrifying creatures that protected it. They saved it from fire and damage, and chased away any bad spirits. Their faces were twisted and horrifying. They had armour that could stop a tornado and stood several stories high. Although the carving and detailing on them was exquisite, I could not bear to look at them. I wondered if I was a bad spirit, I wanted to run away. I held my mother's hand. I made it past.
Inside it smelled of those small sticks that burn, thousands of them, burning all at once. It was reverently silent except for one thing. A bell. A giant bell, at least as big a me, painted gold with a scarlet rope hanging from it. Person after person would walk up to it, pull the string, then stand silently with their hands together. "Why?" I whispered to my mother. The bell was there to wake up the gods. They were sleeping and if you did not wake them first, they would not hear the prayer. I thought they must get annoyed being woken up all the time. Then I thought, "Maybe our God is better. I can just pray whenever I want."
The whole temple was so beautiful, ornately carved and brilliantly painted. I remember I felt brave enough to let go of my mother's hand and walk around by myself. Everything was beautiful. The statues, the ropes, the ceiling, even the tourist postcards. It was like someone had taken that tiny god's house, and made it big enough to fit a whole world of gods. I wanted to touch everything, I wanted to ring the bell, I wanted to light incense, and, although I would never tell my mother, I wanted to pray. Pray to these gods of beauty and confusion. These gods who wanted to sleep all the time, these gods who needed to be protected by giant angry wooden men. These gods I could almost see, and almost believe. They were not like my own angry, demanding God, who would only love me if I stopped seeing and doing the things I wasn't supposed to. These gods felt softer, safer, more forgiving.
And as I felt all of these things, I turned a corner and saw something I had to look at twice to make sure it was real. It was unlike anything in the rest of the temple. For this thing was, simple. It was not decorated or designed. It was not ornate. It was not embellished. It was not pretty. And I knew at once that this was the most powerful object in the whole temple.
All it was, was this; one giant post, as high as the temple ceiling, and as wide as a large man. And in the centre, right at about my head height, a hole. I could feel the shudder of the air as I walked towards it. It felt unlike anything, the raw energy of it ripping through me. What was this thing that drew me? What did it do? Why did I feel this way?
I stopped an adult. Of course they would help me, this blonde, wide-eyed child wanting to know about their religion. And what they told me was this; this pole is the key to your salvation. If you are able to push your body through that hole, it will wash away all of your sins. Every bad thing you have ever done or thought would be gone. If you can manage to get yourself from your head to your toes through that opening, you will never have to be punished again.
I had never before thought about that salvation. I had never for one second thought that my sins could be taken away. That the wrath of my father, of my God, could be washed away by one single action. I had found it. The key. Everything was going to be okay.
I walked up to the pole. I was shaking. I was terrified. I was ecstatic. My first thought was to look around for something to stand on so I could reach the hole. I saw nothing, so I kept walking towards it. I got to the post, I took a breath. I got up on my tiptoes and peered through it. "Please," I whispered. "Please."
My head was only slightly smaller than the hole. I felt my head's shape and size. I looked through the hole again. I felt down to my shoulders. They were bigger than my head.

It was then I knew, I would not fit.

~
We walk the dog. We hold hands walking down the street. We get groceries. You make me dinner while I work. We are a normal couple.
I must, you must, practice being stupid, dull, unthinking, empty. We must wear what we think is truth like a dress. It is the only way.
For you I will cut out things. Change things. I will leave things. 

I am interesting, I am happy, I am funny, I am careless, I am stupid, I am smart. I flirt, I laugh, hate people, I love people. I know nothing about how the world works. I am a bad communicator, even though I work really hard at it. Everything confuses me, and I enjoy that. I can't hold onto a truth for long enough for it to be true. I am happy, I am strange. Limitations don't apply, I have to learn them as I go. I work with matter to try and understand the world. I know nothing, I see everything. I can't understand.
When I looked out the window this morning I saw snow, mush, cars, trees. I wonder all the time why we haven't flown off the face of the planet yet. We're spinning around so fast. Sometimes I hold on.
I think all the time about being made up of moving atoms. There are tiny molecules that make up my body, my brain. They are interchangeable, removable. When I stand next to you our molecules combine. There is no separation. We are some electron's universe.
I think it is true that I could close my eyes one minute and be in another dimension the next. I do not know how I exist. I can't explain the concept of a spirit. I think it is possible that the entire universe is in my head. I think it is possible that I am just someone else's story. I feel like a reed in the wind, I enjoy being blown around, I hate being blown around. I am dust, I am nothingness, I am everything. I see things you do not see.

I do not fit
I do not fit
I do not fit
I do not fit
I will not be absolved.

 

Marshmallow
April 2008



Jodi SharpComment
Book Report- Miss Peregrine's Home for Peculiar Children
 

Miss Peregrine's Home for Peculiar Children
Ranson Riggs
Quirk Books, 2013

This is a book that wasn't recommended to me by a friend, it's something I picked up while stuck on a 14 hour layover in Chicago on my way back. Needless to say, I finished it in that amount of time.
I picked it up because it was on the New York Times best seller list, and the whole story was based off of a bunch of real historical black and white photographs of strange people and mostly children. As I happen to LOVE creepy historical photographs, I figured that it would be a pretty safe bet.

Unfortunately, I was a little disappointed. I expected something original and moving, especially since it was a New York Times bestseller. The story however, read a lot more like some of the books I read in junior high. Which was disappointing since he had a lot of really cool photographs to go off of.
The story goes something like this- There's a boy whose grandfather tells him stories about this house he grew up in with a bunch of kids who could do abnormal things like turn invisible and make fire with their hands and fly and stuff. The kid never believes him until his grandfather dies in a mysterious way and then he goes to Wales to research his grandfather's life. Needless to say, he discovers that the children were actually real, and they are also still alive in a time loop. And then of course, he finds out that he's one of them. And not just one of them, but of course the only one who can save them from the peril they're now in.
The book did have some cool imagery, like a headmistress who turned into a bird or a time loop that got hit by a bomb every night, and some of the ways he described things were pretty, but the story was very stereotypical, and read very much like childhood fantasy. I kept waiting for something original to happen, he could've expanded so much on what was there. And then at the end there was no resolution, just a set up for a second novel.
Although it was an easy read, fairly brainless entertainment (which sometimes I love), I wished he had done a lot more. These pictures are so MAGICAL that I guess I expected a story to expand them and make them more so. Maybe it's my own fault for loving the mystery of old pictures, and that the story can be whatever you want it to be. Maybe a book about them never would be able to measure up.

Jodi SharpComment
Phra Nang Cave- The Princess Penis legend

The majority of my time in Thailand was spent on a little beach called Ton Sai in Krabi state in the south. Beautiful beaches, swimming, kayaking, climbing, and a friendly human atmosphere that you could live forever in.



But walking up from Ton Sai about 40 minutes, past the town of Railay, you can make your way to Phra Nang beach, a place where I found one of the most curious spiritual spaces of my journey.
At the south end of the beach a two caves which are filled to the hilt (excuse the pun) with phalluses. Hand carved, some painted, big, small, all colors, decorated with ribbon and fabric, penises. 
According to the plaque, (you can see below) "It is believed by the villagers that the spirit of Phranang (Princess Goddess) resides in the cave. 
 Fishermen, before going out, would pledge Phranang for good luck. With their wishes fulfilled, votive offerings would be made at the shrine. Common gifts are flowers and incense sticks, but usually, the spirits of goddess shall be offered special gifts, the lingams. 
However, this has nothing to do with the Thai people's religions, neither Buddhism nor Islam, that the belief of lingam and holy womb, shall create fertility and prosperity to the whole earth and mankind."
Naturally, curious person that I am, I would love to find out more information about this princess. Why was she stuck? What happened that brought her here? And why penises? Was it because she was lonely and needed something to keep her occupied? Can enough wooden phalluses really make her happy? So, these questions in mind, I went to the internet.
My extensive research of "lingam worship Phra Nang," brought me to quite a few sites that I did not want to see, and really didn't expand my knowledge of the situation very much. Although there is a history of phallus worship in some world religions, such as Hinduism, they are generally attributed to male gods and creation myths. The only things that I found about this site stated that Phranang was an Indian princess killed in a shipwreck, or that she was the wife of a fisherman lost at sea. Fishermen in the area have long paid homage to the shrine for prosperity, good fortune, and increased fertility. 
I am fascinated by religious sites like this. Places that have lost all historical knowledge of why a spiritual tradition exists, but a continuation of the tradition anyways. I only wish that I hadn't seen this on my last day in Thailand, and had some time to talk to the local people about why the phallus, why these caves? Throughout my stay I had noticed that people would keep carved phalluses in their shops too. In fact we did talk to one shop keeper about quite a beautiful rendition of one he was in the middle of carving, but the only thing that was revealed in that conversation was that he was using himself as a model. 

The unfortunate thing about these caves is that they have definitely become a tourist attraction. They are extremely easy to get to, just at the beginning of an already popular beach, and with the slight absurdity of the offerings in the cave, it has seems to have lost a lot of it's revered atmosphere and instead has almost become a joke. For me however, it just helped continue my curiosity with lost religious knowledge, and sexuality as spirituality. Definitely gave me some things to think about...

Jodi Sharp Comments
"Home" again, "home" again.
Well, I'm back.
I've been back for a full day and a bit now, and let me tell you, it couldn't have been a worse time to come back.
I went from this (me@ +27 C)-
To this (-25 C)-
Image from CTV news
And the shock of it is pretty overwhelming.

But besides the cold, there's always something that I find so jarring when I come back to a western country from asia. It's hard to explain, but most people get hit with culture shock when they go visit another country. When they arrive, the strain from trying to process just how different a place can be from what you're used to can overwhelm and distress, until the traveller finally gets the gist of how life works in another country. 

For me, the opposite happens. When I get to asia there for sure may be a few days of figuring out how stuff works, but I always love it. When I return however, I seem to spend weeks reeling. Life here suddenly seems so foreign, quiet, isolated. It shakes me so much harder because I come back thinking I'll know what to expect, only to find myself changed to another way of life. Suddenly I don't know how to relate anymore. And even though this is supposed to be my "home", I am left with a feeling that I am outside of this culture which I should know so well. 

I'll talk more about my specific experiences in Thailand later, but there are a couple reasons why I think this may be. 

1) Asia feels more human to me.
The way that everything is set up feels so organic and natural. Someone puts his cart of food on that corner because there are people there today, and tomorrow he'll be somewhere else. Someone keeps their pig in the shop because where else are they going to put it? No one really cares about traffic laws because everyone can just use their eyes. Things like this just seem so natural to me, people just responding to their environment.

2) Relationships are the focus, not efficiency.
Most of the time politeness in Western countries has to do with efficiency. You have "good service" when someone is crisp, remembers your order, and brings your food quickly. In asia, your bartender talks to you for three hours, and if you get your food in under an hour, that's quick. The focus is about the atmosphere, the laughter, the conversation. And the gestures of respect are so beautiful- making sure you only hand money with your right hand, the bowing and wai, and all the manners of politeness, in Thai culture at least (other places in asia are a little bit different). There's this really great intro on Thai Social Etiquette by the Ministry of Culture. Pretty different and a lot more focused on the people around you than the west.

3) Spirituality is a part of everyday life.
I love the way that shrines, icons and pictures of those revered are everywhere in asia. One of my favourite things in Thailand was the spirit houses, that are placed on properties as a home for the spirits. The tiny little houses are so beautiful, much more lovely than the residence on the rest of the property. Having all of these sacred spaces in everyday life feels so good to me, like everyone just reserves a piece of their everyday to integrate spirituality into their lives. 

4) The weather allows for more relaxation.
Obviously. When you don't have to run from one place to the next to avoid frostbite you can sit outside, chat, lay in the sun. Food grows year round, and half of the things around you are edible. The foliage and scenery are gorgeous, and just made for stopping and taking a breath. And vitamin D just makes everyone so happy. 

I'm sure there are a more things I could think of, but those are some of the ones that feel so very different to me from living in Canada. It's hard to come back, although as the weeks go by I will readjust, and remember the things I love about my own country too. After all, I'm sure there are reasons why I've chosen to live here over somewhere else. I just can't remember very well when I'm freezing cold...







Jodi Sharp Comments
And finally, VACATION

And all that crazy push was worth it because I AM OFF TO THAILAND FOR A MONTH!!

Yup. cheesiest song ever. Kinda matches the stupid grin on my face.
Jodi SharpComment
The Fool
Title: The fool who repeats again and again, "I am bound, I am bound," remains in bondage. She who repeats, "I am a sinner, I am a sinner," becomes a sinner indeed.

Medium: Performance, Mixed Media Sculpture
Dimentions: Variable
Current Duration as of December 13: Four hours
Year: 2013

The fool is an installation and performance about trying to break the unhealthy patterns that are perpetuated in relationships. 

Often it seems, so many people repeat the same relationship stories over and over again throughout their lives. The repetition and recycling of relational problems is a common story, and is often due to an individual's unwillingness to change their own pattern. This performance ritual is about the futile actions of an individual unwilling to get up and change their own cycle, all the while praying that it will end. 

The installation is made up of a shelf and sculpture that is hung on the wall. On the shelf are the words, the end is near, and a sculpture that signifies the artist as a woman in the place of power. 

For the performance, the artist is wearing white clothing with the title of the piece printed on her back. With charcoal, she writes the history of her romantic relationships down the wall and onto the floor. When she gets to the end, she goes up to the statue, says a prayer, and begins the process again. As she goes she will smudge and rewrite the charcoal over and over again. The duration of the piece will last until the artist deems it finished. 


For this work in process, go here, or here or here.
Jodi SharpComment
Eating noodles, drinking coffee, and sleeping on my studio floor
 A piece that I am working on titled Don't Pause, where I'm pounding hundreds of nails into the wall in the shape of the title words.
Ironically, I've had to pause because my tendentious is getting so bad... :P
 And the sculpture for my performance progresses.
 The transparency of myself as goddess that I'll be putting into the stain glass sculpture.
 Adhering it to the glass.
And what I listen to as I work-

Goodnight. :)

Jodi SharpComment
And to the country again

And because it's just so much easier to write a paper when there are no city noises, here I go again, to a friends house in the country, for some peace, some quiet and some beautiful snow-covered trees. This was the view as I drank my coffee this morning.
Glorious. 

Jodi SharpComment
Hello/Goodbye

she went over to his apartment
clutching her decision
and he said, did you come here to tell me goodbye?
so she built a skyscraper of procrastination
and then she leaned out the twenty-fifth floor window
of her reply
and she felt like an actress
just reading her lines
when she finally said
yes. it's really goodbye this time
and far below was the backdrop
and the tiny toy cars
and it all fell so fast
and it all fell so far

Ani DiFranco
School Night


Paintings by 非 (hi)


Jodi SharpComment
All the things! More studio progress.
A good productive day in the studio! Got a ton done, listened to a bunch of TED talks and just generally had the type of day I needed to have. :) One of my favourite AMAZING talks I listened to today-

 Finally fully finished I want Moore. Poplar wood backing and shelf, with anodized aluminum digital print. On the shelf sits the metal goblet with the words "I want more".

 Part of what my studio looks like right now-
The frame I've built for Love Me Harder. An antique frame made into a light-box with birch wood.
 I decided to attach the shelf directly to the frame instead of the wall underneath it.
 And the tiny poplar plinth I made for forever.

And more of what I listened to as I worked today- 






Jodi SharpComment
Studio Days! And again we change.
It's getting on in the year and I have a panel coming up that I need to present and explain my work to. Which means that I need to FINISH some work. :) Here's some of the stuff I've been working on lately-
Title: The fool who repeats again and again, "I am bound, I am bound," remains in bondage. He who repeats, "I am a sinner, I am a sinner," becomes a sinner indeed.
Medium: Performance, Mixed Media Sculpture
Dimentions: Variable
Duration: Variable
Year: 2013

The fool is an installation and performance about trying to break the unhealthy patterns that are perpetuated in relationships. 

Often it seems, so many people repeat the same relationship stories over and over again throughout their lives. The repetition and recycling of relational problems is a common story, and is often due to an individual's unwillingness to change their own pattern. This installation is about the futile actions of an individual unwilling to get up and change their own cycle, all the while praying that it will end. 

The installation is made up of a shelf and sculpture that is hung on the wall. On the shelf are the words, the end is near, and a sculpture that signifies a woman in the place of power. 

For the performance, the artist will wear white clothing with the title of the piece printed on her back. With charcoal, she will write the history of her romantic relationships down the wall and onto the floor, with the words, all of this has happened before and all of this will happen again, interspersed periodically. When she gets to the end, she will go up to the statue, say a prayer, and begin the process again. As she goes she will smudge and rewrite the charcoal over and over again. The intention is for the piece to occur over all long period with no real beginning or end, the duration of the piece will last until the artist deems it finished. 
Insetting metal into wood floating shelves-
The sculpture isn't finished yet, but in the middle will be a stain glass image of myself as a god. 
--------------------- 
Title: Love Me Harder 
Medium: Wood, glass, biological matter
Dimensions: 41" x 36"
Year: 2013

Love Me Harder is a piece that questions how we define and relate to the ambiguous concept of love. "Love" is a historical and social concept that is made up of a variety of definitions and social constructs. It is defined in poetry and literature as impassioned feelings, defined by science as chemical reactions in the brain, talked about by spiritualists as touching the divine, and defined by mainstream culture as a sexual act. Love is one of the most common topics of our current culture, and yet no definition or way of communicating it can ever really translate the experience of individuals. 

Love Me Harder is made up of a framed cataloguing of the remainders of the artist's sexual activity with a lover over a period of months. By pairing it down to the barest minimum; the remnants of the sexual act, this piece asks us if we can ever truly define, communicate or capture exactly what love really is, or if the attempt to define it takes away from our ability to experience it fully. 
--------------------- 
Title: I want Moore
Medium: Wood, metal
Dimensions: 20" x 14"
Year: 2013

I want Moore is a project about the desire for things we don't normally feel entitled to have. Taken in the context of the rest of this series, this piece talks about the search for ideal relationships, and not just stopping at "good enough". 

Using the imagery of the tarot card, this piece references the nine of cups, which is a card based around wish fulfilment. It speaks to arriving to a place of completion by resolving your past, and shows satisfaction on all levels- emotional, physical and sensual. 

This piece is an altar to the ultimate fulfilment of one's relational space. It does not stop at nine cups, but moves on to the full dozen, praying to the idea that faultless relationships are possible. 
--------------------- 
Title: forever
Medium: Styrofoam
Dimensions: 8" x 10"
Year: 2013

forever is a sculpture that discusses the ephemerality of human life and love, as opposed to the longevity of the products that we as human beings produce. It will sit on a short birch plinth about 3 1/2" off the floor. 

--------------------- 

That's a little bit of what's resolving itself right now!
Also, it's time to take down my comfy space and turn it into something gallery-like.
 Goodbye dome! You will never hang like this again.
Painting the floor and making showing space.
 I'm starting to get pretty excited about a vacation. ;)

And, what I'm listening to today-

Jodi SharpComment
Feelings of


“I’m in love with you,” he said quietly. “I am,” he said. He was staring at me, and I could see the corners of his eyes crinkling. “I’m in love with you, and I’m not in the business of denying myself the simple pleasure of saying true things. I’m in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we’re all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we’ll ever have, and I am in love with you.”

John Green
The Fault in our Stars
Dutton Books, 2012





Photographs by Adarsha Benjamin

Jodi SharpComment
Always be certain?


When I was little, I used to have these weird conversations with my friends about really definitive things we wanted for the future that were mostly a matter of chance, but we treated like decisions. I’m going to have three kids, two twin boys, a girl, I’ll have the first kids around 27, I’ll be married at 25, I want them to be 3 years apart and my husband will have to be a doctor…and somehow, nobody really thought this was strange. Regardless of whether or not it was just another game of pretend, it speaks to something that we haven’t completely lost sight of.

It’s intriguing because even as little kids, we have this innate need for structure, whether it’s deludedly irrational or not.

It’s something we’re programmed for, but our conditioning compels us to act on. And somehow, it affects almost every part of our lives, especially during our coming-of-age adolescence/young adulthoods. We’re most broken over the things we lose or don’t find that we, sometime before, decided were absolutely going to happen. We lose comprehension of who we are without these structures, or we feel like failures for never finding them.
When structure is lost, we’re lost. When we don’t have a God we trust in and a purpose for living we abide by and a clearly delineated life path, we can’t find meaning. We can’t make sense of it. We need to categorize and identify and label and judge to make sense of things. And in doing so, we lose the mystery, the intangible but palpable reality of our existence, one that’s both elusively foreign and so comfortably, warmly home.
I spent most of my life at war between what I felt I should do and what I had decided was right for me. I kept waiting for them to align, but they never did. As someone who claims to be a free spirit, I’m awfully indebted to structure.
It is from structure we run and back into structure we assimilate ourselves. We realize, as adulthood burgeons, that we want that which we’ve spent our lives rebelling against, but only on our own terms. We want to have definitive understandings of right and wrong, especially in the context of our own lives. We want to decidedly structure ourselves, piece by piece, convenience by convenience.
I spent my whole life deciding what was right for me and having the universe rip it out from underneath me and hand me something far better. I don’t know why I couldn’t learn my lesson that way. I don’t know why experience didn’t give me faith. Some people say they won’t believe until they see, but I saw, and yet I couldn’t hold onto an idea, I couldn’t have faith in it, until I was certain. And I know I’m not alone.
So what then, do we find more compelling than having faith that there is some grandiose plan that we cannot wrap our heads around and yet seems to have repeatedly aided and serviced us, time and time again? Certainty. God damn certainty.

And the danger? The problem with it all? Certainty, and the lack of it, destroys that which is most beautiful. Certainty, and the need for it, took from me what I needed most– to be delivered somewhere aside from where I was. In a very abstract sense, it was the death of me and the rebirth in me. It requires logic, something that love and hope and miraculousness do not come from. Nothing incredible is ever planned. Reason and wonder are two different beasts, both of which have to be tamed on their own terms. And depth has to be carved out of us, and is most especially done so when our certainties, our irrational but comforting certainties, are ripped out from under us, time and time again. And maybe therein is where we find the only certainty we can rest on, the only one that won’t cave if circumstances don’t align. That things are perpetually and horrifyingly and uncertainly unknown. And nothing good ever comes from anything but.

Brianna Wiest
The Danger In Our Need To Always Be Certain
Thought Catalogue, Nov 12, 2013


Photos by 14 year old photographer- fiddle oak

Jodi SharpComment
Stay Open


Advice from Dionysus

Burn all of your bridges
just so that you can build them again
with thicker ropes.

Hurt all the people you love
and then commit every felony to win them back.

Drown yourself in bleach until not even Heaven’s light
can compare to how bright you can burn.

Turn yourself inside out
and paint your organs the color of what you see
in your dreams.

This is the art of
living with a ticking heart — a grenade you
throw through windows to make a
point that language
has no room for.

This is how I destroyed you. And this, is how
I kept you alive.

Dig yourself a ditch, six
feet deep, and bury everything that you’ve ever
said, everything that you’ve never
meant, and everything that has
burned you and left you with nothing
but ash.

Shinji Moon



Jodi SharpComment
Studio Days
Working on a sculpture for a new ritual that I'll be doing soon. The object is starting from this reminiscent Greek statue I found in the garbage one day. It's this dramatic scene of a god, I think Mars or Aries, who has vanquished a foe and ladies are falling all over him. 
I decided to grind out the guy in this sculpture, and I'm planning on replacing him with a stain glass sculpture of myself posed in a similar position. 
I'm wanting to take this thing, a sculpture I see as the essence of what I don't like about the place of the woman historically-as something that is property or something to be won, and put myself, a woman, into that seat of power instead. Not that I actually want to be a creature that vanquishes men and has women falling all over me, but it's a symbol of me trying to put myself into a powerful position that's generally reserved for the historical male.
This sculpture will be placed on a floating metal shelf on the wall. On the shelf will be engraved, "The end is near." Underneath the shelf I will be doing a written text performance, the passage which I am writing now.
Meanwhile my other piece progresses- 

Jodi SharpComment