Written on the Body

Rereading Written on the Body by Jeanette Winterson, like poetry turned into a story. I especially loved this passage I read today:

"I am thinking of a certain September: Wood Pigeon Red Admiral Yellow Harvest Orange Night. You said, 'I love you'. Why is it that the most unoriginal thing we can say to one another is still the thing we long to hear? 'I love you' is always a quotation. You did not say it first and neither did I, yet when you say it and when I say it we speak like savages who have found three words and worship them. I did worship them but now I am alone on a rock hewn out of my own body.

Caliban: You taught me language and my profit on't is
I know how to curse. The red plague rid you
For learning me your language.

Love demands expression. It will not stay still, stay silent, be good, be modest, be seen and not heard, no. It will break out in tongues of praise, the high note that smashes the glass and spill the liquid. It is no conservationist love. It is big game hunter and you are the game. A curse on this game. How can you stick at a game when the rules keep changing? I shall call myself Alice and play croquet with the flamingos. In wonderland everyone cheats and love is Wonderland isn't it? Love makes the world go round. Love is blind. All you need is love. Nobody ever died of a broken heart. You'll get over it. It'll be different when we're married. Think of the children. Time's a great healer. Still waiting for Mr. Right? Miss Right? and maybe all the little Rights?

It's the cliches that cause the trouble. A precise emotion seeks a precise expression. If what I feel is not precise then should I call it love? It is so terrifying, love, that all I can do is shove it under a dump bin of pink cuddly toys and send myself a greeting card saying 'Congratulations on your Engagement'. But I am not engaged I am deeply distracted. I am desperately looking the other way so that love won't see me. I want the diluted version, the sloppy language, the insignificant gestures. The saggy armchair of cliches. It's alright, millions of bottoms have sat here before me. The springs are well worn, the fabric smelly and familiar. I don't have to be frightened. I don't have to be frightened, look, my grandma and grandad did it, he in a stiff collar and club tie, she in white muslin straining a little at the life beneath. They did it, my parents did it, now I will do it won't I, arms outstretched, not to hold you, just to keep my balance, sleepwalking to that armchair. How happy we will be. And they all lived happily ever after."