Posts tagged festival installation art
Feather Family, The Story of an Alternative Community

Family is a complicated topic for many of us. We’re taught from a young age that blood and biological family is supposed to be the most important thing to us. But the world has shifted and we’re seeing a different framework than ever before. 

It used to be that humans spent their formative years growing up with their bio family and other people who inhabited their immediate space. Each community had its own norms and biases, and the child would take on those community beliefs. 

Then came the internet and airplanes and suddenly the world became very small. We have capacities that our ancestors couldn’t even dream of! We can be in touch with belief systems from around the world, and we can move to be closer to other individuals that we connect with. 

Many of us end up in places where we either can't be with our biological family or have chosen not to be. In this new world, we get the joy of choosing what individuals make up our families. We connect because of ideals and values, forming new tribes. These tribes can be a powerful force. There is great potential in creating bonds based on ideology and intentional connection.

Unlike a biological family, these new Feather Families are made up of individuals we have chosen for ourselves. 

Art installation on the concept of chosen family in festival culture

Where Does the Term Feather Family Come From?

“Feather Family” originates from a book by Becky Chambers, A Long Way to a Small Angry Planet. Chambers writes incredible sci-fi from an anthropological point of view on the future of humanity. In her Wayfarer series, she gracefully explores new ways of being. 

One of the topics that she delves into is a new way of forming families. She presents this idea through an alien species called Aandrisk, who leave their birth families and go out into the world to choose who they will make their lives with. 

The newly chosen family is called a Feather Family and is just as deeply significant to the individuals as their birth families. The species is covered in feathers, and when they find someone they connect with deeply, they pluck a feather out and present it as a form of connection.

A New Way of Being

This way of forming family and relationships parallels today's modern world. People today are searching for new forms of committed relationships that look different from traditional models of the past.

Individuals now have the freedom to explore alternative connections, spirituality, and life practices. Those who are seeking are often seen as alien or wrong, being shunned by the rest of society. But by allowing ourselves to find new answers, we become capable of solving some of the problematic issues of the past. 

My Story 

I have always been an extremely alternative person. I am a pansexual, poly artist who follows an alternative spiritual path and lives a very different life. I left an abusive home very young and had to create a new life and family for myself. (Read more about my story HERE

On my journey to seeking a new supportive family, I encountered the transformational festival scene. A transformational festival is a counterculture space that is co-created by a community. While they often resemble a music festival, they focus on education, community building, personal growth, creative expression, and social responsibility. Transformation not only speaks to personal growth but also the transformation of the planet towards sustainability and healing. 

Once a tiny pocket of individuals, this now-vast community is full of other individuals who seek to find others who share their values. I grew up in this beautiful community, and my peers and influences were others who were focused on the creation of a new type of cultural space and family.

“Feather Family,” Necklaces

The tradition of the Feather Family necklaces began in early 2020 when the world first shut down. I had been evacuated from Honduras where I was living at the time and was in quarantine in my studio in Montreal. Montreal was on full lockdown and you weren’t allowed to share space with anyone who wasn’t your biological family. 

During this time two of my best friends were scheduled to marry each other. They had to cancel their beautiful wedding because no one was allowed to gather. Their only option was to get married at the courthouse while their chosen family watched on zoom. 

By that point, I hadn’t seen another human being in weeks, and I was devastated that we couldn’t all be together for this celebration of love. I wanted to do something that would connect us all physically together.

I had been reading Becky Chambers, and I absolutely loved the idea of exchanging feathers as a way of choosing family. I created the first templates for the feather necklaces, and everyone got to choose a color that resonated with them. Alone in my studio, I got to make these tiny talismans that I knew would reach the hands of my family. 

Then later that year, I got married. My husband is American, and none of my friends were able to cross the border at the time without extreme measures. I found myself without my Feather Family at my own wedding. The tradition grew as I made yet more feathers for my and my and my husband's “family,” that couldn’t be there. 

The tradition keeps extending as the years go on. The feathers have now gone to people around the world. Not just to my family, but to the loved ones of clients who are choosing their own families elsewhere in the world. 

See the “Feather Family,” necklaces HERE! 

Feather Family, a festival art installation about the concept of a chosen family.

The “Feather Family,” Art Installation

The Feather Family art installation was conceived before the pandemic even began. Before the crisis in 2020, I worked in the summers as a touring installation artist for transformational festivals. Every year I would make a new installation or two and tour it around North America. By the spring of 2020, I had designed this installation and had scheduled bookings to show it. 

Obviously, my tour schedule got canceled for that year, as well as the year after. Many of the festivals and teams that I worked for went under. The whole scene got swept away as artists and producers couldn't afford to wait it out any longer and found other jobs. My career path changed in an instant.

While touring as an installation artist may never be my full-time job again, I was grateful for the chance to set up this installation that I had so lovingly made. It was shown at Art Boreal, a tiny little Burner event in Huberdeau, Quebec.

The beautiful 13’ x 9' meditation dome was filled with stained glass feathers and a beautiful seating area. The ground cover was painted with sacred geometry and covered in comfortable pillows. The ceiling was open. You could sit on the ground and look up at the feathers dancing in the sunlight. 

The intent of this art-filled meditation dome was a reflection on the idea of chosen family and the new alternative communities that we have the capacity to create. The 70+ hanging glass feathers were each handmade and completely unique, representing the vast array of humans we can invite into our lives. Each glass feather had an inset crystal and brought a different energy into space.

By bringing all the individuals together, the space becomes more than what it could have been. One glass feather would barely make an impact in the space, but all together they created a cacophony of bouncing light and beauty. Likewise, when we choose other individuals that shine brightly, we can change any space that we inhabit.

While I would still love to show this installation again someday, I’m so grateful that it was shared with my small local feather family. It was a moment of coming together that was so meaningful for me. 

See the "Feather Family," installation booking details HERE!

What About You?

As always, I would love to hear your story! Let me know how you feel about the idea of chosen family. Drop me a DM on Instagram. I would love to hear from you!

We Are All Stardust

We Are All Stardust,” is my current installation that has been touring Canada during this year’s festival season. My first ever fully printed custom art dome, the purpose of this project is to recreate a sense of childlike wonder and world-building.

Participants are asked to enter the dome and pick a fabric star that speaks to them. They label it and pin it somewhere in the dome. In the dome are notebooks where they can make up information about the star that they have labeled.

They are asked to name a planet in their newly identified solar system, identify the type of lifeforms, languages, rituals, etc. There is space in the notebooks to draw and dream. Each new participant not only names and creates their own idea of a solar system, but is able to find the stars and read about the planets and worlds that other people have already created.

The intent of this project is to get people to think about the universe outside of our individual worlds. Instead of a project being introspective and self focused, it is getting people out of the “reality” of their lives to dream that anything is possible.

The response by individuals who have seen this on the circuit this year has been truly magical. Having a custom printed dome creates a space that completely envelops the viewer. Instead of the dome being the infrastructure that holds the art, the dome itself becomes the full art piece. The effect is enveloping and adds to the viewers capacity to sink in and experience the art.

Although I’ve wanted to do this for so long, and I find the final effect of the custom printed dome stunning, the process of creating this work was quite a bit more than I originally bargained for.

To start with, domes are compounding spaces, meaning that each time you make a dome bigger you exponentially increase the size of your panels. The sheer amount of material it takes to cover a dome is so much more than it would take to cover another structure.

When you count up the the number of individual “windows” in the dome that need to be covered in fabric, you’re talking about 18-20 openings. While that is a large amount of material, the interesting part becomes that each one of those spaces has to be treated as its own separate art panel. Rather than thinking about the interior of the dome being one full printed piece, you have to look at the orientation and connectedness of each panel individually. Each separate panel has to be photoshopped, orientated and sent to the printers and tested. This expounds the print, R&D and setup costs.

The file sizes of these pieces are also huge. Because you have to create an image that’s the size of the panel in order to have high print quality, it takes the tech or artist a large amount of time just to be processing the files. It took forever for my old little laptop to handle these pieces, making the time this work took so much more than I bargained for.

While the beauty of a fully printed dome is sometimes worth the price, the cost of all of these things put together was almost prohibitively expensive. While I loved the look of having a custom printed art dome, It will probably be a while before I take on a print job at this scale again.

One thing that was really amazing about it though, is that, contrary to so many sculptures, once this piece was printed it was an absolute breeze of an art piece to install! Because the dome itself was the art, I didn’t have to worry about little parts of pieces, or building something extra on site. It was great!

The feedback from participants was great too. It was such a simple project, but people really expressed good experiences inside of the dome. A couple people expressed to me that it was one of their favourite festival activities, and that the world building activity real helped them think most consciously about the world around them.

Even when art making is sometimes really difficult, it’s all worth it when it’s meaningful to the participants.

Mind/ Body/ Spirit Domes at Gratitude Migration

All photos by Myself or Dina Devine NYC born, Brooklyn based, and Burning Man bred.

Gratitude Migration is a convergence of east coast collectives, artists, lovers, and creators, and this year I was honored to build the Temple domes for their Wellness Center.

Founded in 2010, Gratitude NYC has brought together theme camps, interactive artists, stunning performances, amazing DJs, VJs and live bands, along with consciousness expanding workshops, speakers, and activities. In 2015, Gratitude began their Migration to the beach in New Jersey, where they bring their experiences out of the Brooklyn warehouse and into the expansive natural surroundings of hELLO Beach. (-GM website)

Gratitude is not just an everyday party. Along with the celebration aspect they also seek to further the causes of conservation, environmental mindfulness and conscious living in order to affect daily lives with positive new practices. One of the ways they do that is by offering workshops and training that will give participants new skills they can bring home.

“GRATITUDE MIGRATION IS HUMBLED AND EXCITED TO OFFER A PLATFORM FOR YOGA AND WELLNESS TEACHERS AND SPECIALISTS TO OFFER THEIR PRACTICES AND HOLD SPACE FOR ALL EVENT A ENDEES TO UNCOVER SACRED MOVEMENT AND RESTORATION OVER THE COURSE OF THE WEEKEND. OUR OFFERINGS RANGE FROM THE TRADITIONAL TO THE WHIMSICAL WITH THE SHARED MISSION OF BUILDING A SUPPORTIVE SPACE FOR PRACTICE AND RITUAL.” -Ophra Werde, Wellness Centre Director

The Mind/Body/Spirit Domes at this year’s Gratitude Migration were intended to be a place of peace, wellbeing, and mindfulness. They offered classes and workshops almost continually during the course of the event.

The programming was absolutely inspiring, and I was so amazed to see these domes filled with such incredible content and smiling faces the whole weekend.

The reason I make these containers is so that they can help facilitate a healthy shift in the world. It is always so wonderful when I watch them used for just that.

Thank you so much to all of the organizers, teachers and participants who activated this space and made it into something truly impactful.